Next Event
A photo of Muhammad Ali sitting in a vintage car handling vinyl records, accompanied by text promoting an event for The Really Strange Record Club on Thursday, May 21, 2026, at Dreamhouse Records in Leyton.

An uncompromising closer from Ben. Thanks so much to everyone who came down! See you in July!

A KLF classic from Tom.

Elise hypnotised us into giving up smoking!

Finnish jazz, Swedish hip hop and Japanese house from Lasse.

Killer free jazz selections from Mark.

Beautiful selections from Paul!

A selection of oddball French psych/prog/disco from Dan.

Matt has brought a selection of Mogwai-adjacent Scottish indie-psych 7”s.

Gus claims this could be Singapore’s first ever hip hop record?

A selection of truly ancient sounds from Geoff!

Some deeper-cut Yukihiro Takahashi from me to kick us off!

Next event: 21st May 2026! Leyton community radio!

Hello everyone, hope you’ve all had a great week. Next event - Thursday 21st May Here’s a little reminder that we’re just over a week away from the next meet-up of the Really Strange Record Club. Join us on Thursday 21st May, 7:30pm-10:30pm, as always at the wonderful Dreamhouse Records on Francis Road, and we’ll hang out, hear some new sounds from across the globe, and share the treasures hiding in our record collections.

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Next event! New site! New newsletter!

Hello! Quite a lot of news to get to, but I’ll put the biggest / most important announcement up top - the next meet-up of the Really Strange Record Club will take place on Thursday 21st May 2026, 7:30-10:30pm, as usual at the wonderful Dreamhouse Records on Francis Road in Leyton. Put the date in your diary right now and we’ll see you there. Thanks to everyone who came down to our event last week - I think it was our biggest crowd yet, including a couple of spectacular RSRC debuts from new friends (and I hope future regulars).

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What We Listened To - March 2026

A capacity crowd braved weirdly strong winds to descend on Dreamhouse Records for the very first Really Strange Record Club of 2026. We had some amazing debut appearances, immaculate vibes throughout and of course some incredible musical discoveries. If you have any questions or corrections to the list below, please do email me! I opened the evening with some selections to mark the arrival of spring, before veering off into early Actress and neon new age.

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What We Listened To - December 2025

As with last year, December’s session had a non-compulsory Christmas theme, which we’d more or less abandoned by the end of the first hour. I opened things up with some Christmas-adjacent cuts from the Yellow Magic Orchestra extended family, along with an 8-bit IDM take on a festive staple and then a selection from 2025’s best accordion record. David Sylvian / Ryuichi Sakamoto - Forbidden Colours (from Merry Christmas Mr Lawrence OST) Saitone - Sleigh Ride (from Holy 8 Bit Night) Yukihiro Takahashi - Open The Door (from We Will You A Merry Christmas) Walt McClements - On A Painted Ocean Nick brought us an outsider Christmas gem and a truly transportive slab of French drone-rock.

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What We Listened To - November 2025

I opened things up with a selection of 80s art pop and global experimentation. Laurie Anderson - Bright Red Tau Ea Lesoto - S/T Coldcut - Haruomi Hosono remix Jean Michel Jarre - Zoolook Various Artists - Methods of Dance compilation Tom A brought us some deep electronic zones and tones. Prins Emmanuel Miet Warlop & Micha Volders – ICCHĀ Rich took us on a wild trip into the outer reaches of extended saxophone technique.

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What We Listened To - September 2025

September’s RSRC might have been one of the most wide-ranging meet-ups yet, taking in everything from deconstructed hip-hop and deep-cut machine funk to soap opera themes and even a record by a Welsh wrestler. For reasons of both legibility and efficiency, I’m experimenting with a slightly less verbose format for these write-ups - comments and corrections welcome! I topped and tailed the night with some obscure machine funk from Lou Reed’s 80s rhythm section and the euphoric alt-pop of Kate NV.

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What We Listened To - July 2025

I opened proceedings with Hochono House by the legendary Haruomi Hosono - a playful self-cover album in which Hosono revisits his late-70s songs with a minimal electronic palette. I followed with selections from El-Mir’s incredible Malik Adouane compilation, showcasing his hi-energy raï jams in a Eurodance style. Matt switched gears with three tracks from The Foreign Department by Astrel K. Tom A took us into an electronic space with The Hour I Want by A Special Occasion, Mind in Camden from Enchante, a classic bit of longform deep house from DJ Sprinkles & Mark Fell and a slab of intricate protest d’n’b, Here comes a fucking startup campus by Mark.

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What We Listened To - May 2025

I opened this blockbuster session with some selections from Wrong Way Up, the collaborative album between Brian Eno and John Cale from 1990. I’ve always loved the contrarianism of these two titans of experimental art producing a plasticky synthpop album - but have a look at Pitchfork’s deep dive to see how demented the creation of this smooth, airy record actually was. Rich followed with the Pan Machine album by the Ebony Steel Band, Kraftwerk classics reimagined by a full steel drum band; a reminder that you can recontextualise the Kraftwerk back catalogue in an almost infinite number of ways and those melodies still shine through.

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What We Listened To - March 2025

I kicked things off with a side from Awa Poulo’s Poulo Warali, a gorgeous 2017 album from the Malian singer on the always-reliable Awesome Tapes From Africa label. Afterwards, Ben stepped up with Sleepy For Life, a melancholic slide of retro-acid by AAAA from 2018’s Acid Avengers 010 release. Then we looked back to, in Ben’s words, “a time before John Carpenter was a genre” and Gatekeeper’s magnificent, crushing Optimus Maximus from 2009 before closing out this set with Pussy Galore’s 1988 cover of Einsturzende Neubauten’s Yu Gung from 1988’s Sugarshit Sharp.

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